Posted April 30th, 2009 in Beyond ATL
An update from the NYT on the suitcase from Mexico.
“While there was some initial hope, the negatives did not end up laying to rest a question that has long hovered over Capa’s career: whether he staged perhaps his most famous picture and one of the defining images of war, “The Falling Soldier,” which shows a Spanish Republican militiaman reeling backward at what appears to be the instant a bullet kills him near Córdoba.”







































