Here's a recent half-hour conversation at Ohio University:
Our Board members are getting nervous! We have until MIDNIGHT to raise $200. Help us get over the top and double every gift we have received!
Thank you to everyone, including all those new donors, who have helped us get so close! Don't stop now!
"In a continuing exploration into the many nuances of gender identity and masculinity, Wallflower II, turns the camera to masculine identifying individuals from a spectrum of backgrounds. Much like Wallflower (shot between 2006-2008), the portraits stem from an ongoing intrigue regarding masculine identity when stripped of personal context - sitting bare within a constructed, impermanent environment. Unlike Wallflower, which aimed the lens at cisgender men almost entirely photographed in my personal space, Wallflower II explores a much broader sense of masculine identity- shot in the personal space of strangers in urban and rural Georgia upon first meeting and found through online calls / searches surrounding ideas of masculinity and gender in the American South. The work aims to confront socially constructed ideas and standards surrounding both gender and masculinity, vulnerability and beauty."
Ritual and Ruin: Tableaux of a Lost War photographs by David Knox
June 14th- July 17th, 2017
Wednesday, June 14th, 5-7:30p
Artist Talk and Lecture
Wednesday, June 14th, 12:00-1:15p
"The ghosts of past centuries find undisturbed refuge in the American South from the foothills of the Appalachian Mountains down to the fertile flatlands of the Gulf Coast. For New Orleans-based photographer David Knox, the past resides in the present in many forms - land, crops, architecture, and people. In his most recent body of work, he combines historical images from the American Civil War with his own photographs to create photomontages depicting an imagined, surreal world set somewhere in the mid-19th century South. These “tableaux” weave together the disparate lives of Union and Confederate soldiers of the Civil War, freedmen and slaves, civilians and clergy. Characters in his fabled scenes and the symbols around them offer fictional narratives that represent and explore hardship, loss, survival, gender, race, class, reli- gion, death, and resurrection. The large-scale images on display (informed by nineteenthcentury printing processes including stereograph, tintype and wet plate collodion) explore the visual possibilities of a region that remains, in part, unwontedly bound to yesterday; where the present is as peculiar and as haunted as its past.
For more than two decades photographer David Knox has lived in the Southeast and documented the region's landscapes and people. His work combines 19th, 20th, and 21st century photographic processes in single image and collage. His photographs have been exhibited in galleries in Atlanta, Birmingham and New Orleans. He is a photography teacher and lecturer, and holds a MFA degree from the San Francisco Art Institute."